Art League Houston (ALH) is proud to present The Writing on the Wall: A Virtual Conversation with Alice Leora Briggs & Julián Cardona in conjunction with our exhibition and installation of work by Artist Alice Leora Briggs (based in Tucson, Arizona) and text written by Julián Cardona and Briggs (Cardona is based in Ciudad Juárez, Mexico), currently on view through June 27, 2020. Selected by ALH’s Artist Advisory Board during the Open Call process, The Writing on the Wall exhibits recent work addressing the violence and impunity of the administration of President Felipe Calderon and their impact on Ciudad Juárez, and features visual artwork created by Briggs in conjunction with her projects with Juárez reporter and photojournalist Julián Cardona. This virtual program will feature Briggs and Cardona in conversation about their work, mission and upcoming book collaboration, along with Sarah Beth Wilson, ALH Director of Exhibitions and Curatorial Projects, and Erin Carty, ALH Communications and Programs Associate. The virtual event is free and will be live broadcasted via ALH’s Facebook Live account. Audience engagement and questions are encouraged through the Facebook chat feature.

In the preface to their upcoming book, Briggs states, “The people of Ciudad Juárez, who tell their stories in these pages, are neither composite nor fictional characters. A few gave permission to publish their first and last names. Others are identified by nicknames known only among their friends and families. A small number did not want not to be named at all. They share memories of their experiences between 2006 through 2012, years when the streets of their city exploded with violence, years when President Felipe Calderón sent ten thousand federal forces into Ciudad Juárez. A new lexicon that rose out of Ciudad Juárez during this six-year period is the core of our project, an investigation of the language and framework of a main growth industry in this border city: crime. These pages reveal that much of this crime is sponsored by the Mexican State. When not committed by the State, the government’s policy of near impunity condones these crimes. As with any attempt to capture slang, our efforts have become history before these pages could be bound. Some years after the drug trade’s parallel economy rode into town, it was followed by thousands of soldiers and Federal Police. President Felipe Calderón implied that the resulting deaths of Juárez citizens were equivalent to an extermination of cockroaches. If ever there was an occasion for speechlessness, this was it. But in this city where Spanish and English collide, the streets exploded with words invented and adjusted to describe a world Juarenses had never seen.”
Narratives based on Julián Cardona’s interviews introduce us to individuals who speak this new dialect and provide firsthand accounts of the staggering collateral damage of ‘business as usual’ in Juárez. Briggs’ drawings reveal this environment as unique, but parallel to the many instances of greed, torture, murder and other abuses that decorate the dark corners of human history. Between 2008-2010, Briggs created her first renderings of ABCedario de Juárez, a mutable theatre of tortures and executions, a pictorial Spanish alphabet in 32 panels. This homage to both Juárez and Hans Holbein’s Alphabet of Death sharpened her interest in the new vocabulary rising out of Juárez. She started to gather and study narcotraficante, gang and street slang, as well as to create a visual record of the city. Her work is grounded in time spent in Juárez beginning in 2008.
Julián Cardona, a resident of Ciudad Juárez since early childhood, conducted his initial interview in 2008 with crime victim, Pastor Socorro Garcia. While she was conducting a religious service at a drug treatment center, masked gunmen entered and opened fire on the service as well as chased down and killed a number of others. Cardona continued to conduct interviews that present the experiences of victims and perpetrators of Juárez crime. Cardona has collected slang terms from the citizens of Juárez, including drug dealers and traffickers, professional killers, kidnappers, crime victims, government officials, reporters, human rights workers and ex-police agents. Examples include: an elementary school boy from a poor barrio who understands the liabilities and assets of his dream career as a professional killer; a preteen who divides and packages drugs for retail sales; a woman who wakes to the news of the day: her sons’ childhood friend dinner guest from the night before is a decapitated corpse displayed on an overpass in the center of Juárez.

Briggs and Cardona worked independently of each other, but in late 2012, writer Charles Bowden pointed out that they had been conducting research on different facets of the same project. An unusually open collaboration grew out of a Las Cruces meeting with Bowden. Cardona shared a number of photographs that Briggs used as reference material for drawings. Briggs and Cardona wrote and rewrote Cardona’s interview based narratives over a period of ten years, and the body of work on view is a result of their collaborations.


Speaker Bio: Alice Leora Briggs
Alice Leora Briggs is an artist and writer based in Tucson, Arizona. She received her MA and MFA from the University of Iowa. Briggs is the recipient of numerous fellowships, including: Utah Arts Council; Arizona Commission on the Arts; Tulsa Artist Fellowship; and served as a Fulbright Scholar at the Academy of Fine Arts and Design, Bratislava, Slovakia. She is also a 2020 Guggenheim Fellow. Since 2008, her work, both written and visual is devoted to the people of Ciudad Juárez. She is currently collaborating with Juárez reporter and photojournalist Julián Cardona to write and illuminate an unhinged graphic glossary of the language of violence in Ciudad Juárez. Her work is included in numerous public collections, including: Denver Art Museum, Denver, Colorado; Arkansas Art Center, Little Rock, Arkansas; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Phoenix Art Museum, Phoenix, Arizona; Scottsdale Museum of Contemporary Art, Scottsdale, Arizona; El Paso Museum of Art, El Paso, Texas; Fine Arts Museums of San Francisco, San Francisco, California; Library of Congress, Washington, D.C.; University of Chicago, Chicago, Illinois (Special Collections, Rare Books); Museum of Texas Tech University, Lubbock, Texas; Tucson Museum of Art, Tucson, Arizona; Yale University, New Haven, Connecticut (Beinecke Rare Book and Manuscript Library); and the University of Oxford, Bodleian Library, United Kingdom.

Speaker Bio: Julián Cardona
Since 1993, Julián Cardona has documented the violent implications of globalization for Mexico, including the social effects of low wages paid by assembly plants; the degradation and decomposition of social networks in a border region controlled by power structures allied to favor the financial interests of United States’ transnational corporations; the voices of parents and relatives of women murdered in Ciudad Juárez; and, in the NAFTA era, the exodus of Mexicans fleeing their country and its collapsing economy. In 1995, Cardona curated the exhibition, "Nada que ver/ Nothing to see," which included the participation of several photojournalists from Diario de Juárez (now El Diario) to document immigration, gangs, corruption, drug trafficking, and poverty in the NAFTA era. This exhibition led to the publication of Juárez: The Laboratory of Our Future (New York: Aperture, 1998), featuring texts by Charles Bowden, Noam Chomsky and Eduardo Galeano. Cardona's work has been featured in various exhibitions and books in Mexico and abroad. Documenting the historic migration of Mexicans to the United States, Cardona's photographs are included in No One is Illegal and Exodus/Éxodo. Images from Exodus were included in the touring exhibition The History of the Future/ La historia del futuro (Michael Berman, Julián Cardona, Santa Fe Art Institute, Santa Fe, 2008) and Exodus was featured in the 2011 edition of Promenades Photographiques, a photo festival held annually in Vendôme, France. In Charles Bowden’s Murder City, Cardona documents the explosion of violence in Ciudad Juárez. In January 2013, the University of Texas El Paso’s Rubin Center presented Stardust: Memories of the Calle Mariscal, which records the Calle Mariscal, one of the most notorious streets in Ciudad Juárez before the buildings were systematically demolished. In September 2013, Cardona's photographs were exhibited in Remember Them, a collective show to remember the victims of femicide in Ciudad Juárez, at the Victoria Gallery, the University of Liverpool. Herencia de sangre, was inaugurated on May 2014 at the Gallery José María Velasco, in México City. The exhibit reflects on the range of experiences facing women in the United States-Mexico borderlands. And Exodus / Éxodo was held at Los Angeles United Methodist Museum of Social Justice, from September 4, 2014 - September 26, 2015 and at The Center for Social Justice & Civil Liberties, Riverside, California, from November 1, 2015 - February 20, 2016.