on view: Moe Penders
Cuir
Moe Penders
On View: December 16, 2022 - February 11, 2023 I Front Gallery
Opening Reception: 6-8 PM, Friday, December 16, 2022
Artist Talk: 2 PM, Saturday, December 17, 2022
Art League Houston (ALH) is proud to present Cuir, an installation of work by artist Moe Penders, who is based in San Diego, California. Cuir is an introspective dialogue around queer and trans narratives in the context of queer politics, war politics, and imposed heteronormativity. The term cuir is ‘queer’ in Spanish, taking its pronunciation from queer. In the Spanish language, vocabulary is gendered, creating conflict with Pender’s non-binary identity. The creation of this work began in 2020, focusing on the areas of Kushkatan, now known as El Salvador, and the occupied territories of Turtle Island, a name for the lands now known as North and Central America. Cuir is a dialogue around transness, translation, and migration between Kushkatan (El Salvador), Karankawa (Houston), and Kumeyaa (San Diego).
The work in the exhibition explores Pender’s relationship with the in-between by connecting facets of war and displacement in El Salvador, transness, and experiences of existing in different spaces that border these liminal zones. It looks at situations through lenses of categorization of social class, race and colorism, gender, and religion. Penders’ queerness is invalidated by both their biological family and home country.
The works are created from large format film cameras, creating life-size prints that invite the viewer to be aware of queer bodies in the American South and El Salvador. Photography allows Penders to situate themselves between countries, genders, and languages. Cuir centers the trans narrative through a dialogue about translation, the in-between, generational trauma, and heteronormativity. This body of work focuses on the haves and have-nots, creating metaphorical visibility through language. The series also looks at the impact of war, borders, and the effects on communities across generations through violence, poverty, and generational trauma. Penders also explores the idea of traveling between borders and binaries, directly impacted by their time in Houston and San Diego, which borders Tijuana, Mexico.
ABOUT THE ARTIST
Moe Penders is a Salvadoran artist, whose practice is mainly framed in traditional photography. They moved to Houston in 2009 to attend the University of Houston where they received their BFA in Photography and Digital Media and are currently in UC San Diego getting their MFA. Their work explores the social construction of home, intersectionality of identity, and gender expression. Moe is interested in conversations that touch upon different social aspects which are relevant to their life and experiences.